Olwen Wymark’s play Find Me is a disturbing play about mental illness and difference. The play is based on the true story of “Verity Taylor” (not her real name), a girl who was institutionalised and locked away for behaviour which me might now recognise as belonging somewhere on the autism spectrum.
Find Me was first produced in 1977, so in many ways it is a historical drama and I would hope that we are better now at diagnosing, treating and having compassion for people suffering from mental illness.
Wymark spent time with Verity’s parents (at the time of her writing the play, Verity was locked up in Rampton Secure Hospital) and was given in depth interviews and access to Verity’s writing. Because her contact was with Verity’s family, rather than with Verity, we see the play through the eyes of those around a girl who couldn’t be contained.
EDWARD [Verity’s father]: All children have little temper tantrums. It’s nothing – out of the way. I’ll speak to her later.
JEAN [Verity’s mother]: She doesn’t do it to you. You don’t know what she’s like. Little temper tantrums! She torments me, Edward. Last week one night when you were away she burst into the bedroom about three o’clock in the morning with the radio turned up full blast. I made her turn it off and then she started dancing and stamping around the room and butting her head against the bed pretending to be a car. I tried to take her into bed with me but she wouldn’t let me touch her.
Verity acts up, runs away and behaves in ways that are unacceptable in our society, but at no time does she seem a candidate for institutionalisation. The tragic part of this play is seeing a young girl grow up in a society that doesn’t know what to do with her, so that she is hospitalised, left bored out of her brain, and then imprisoned for the ‘crime’ of burning a chair. The final speech sums up the tragic tale:
NARRATOR: In November 1975 at the age of twenty, Verity Taylor was charged by the police with the damage of a chair by fire, value six pounds, in a locked ward of a mental hospital where she was a patient. She was remanded in custody to Holloway Prison for a period of three months. She was subsequently tried at Canterbury Crown Court and in February 1976 an order was made for her admission to a maximum security hospital. On February 24th 1976, Verity Taylor was admitted to Broadmoor from where she may not be transferred elsewhere without the permission of the Home Secretary.
As a play, Find Me works because of the lack of chronological time or conventional space. Several actors play each of the parts (five of them playing Verity), making the story universal as well as particular.
Finishing the play, my only wish was for a postscript to let me know whether Verity did make it out of Broadmoor. The thought of this high-spirited, feisty girl locked away for life is horrendous.
Publisher: Methuen (published in Plays By Women Volume 2)
Cast: 5F, 3M (can be played with more actors as all parts are doubled)