Trafford Tanzi is excellent. Written and originally performed in 1980, I’m not surprised to see that it’s had a renaissance and been in production in America as recently as 2010.
Claire Luckham’s play is a wonderful mix of physical theatre, live music and wrestling. Yes, all the actors need to be able to sing and to wrestle.
Trafford Tanzi is set in a wrestling ring and is almost vaudevillian at times.The audience is encouraged to boo and whistle and cheer and the action of the story is told through wrestling holds and throws.
REFEREE: Ladies and gentlemen, The Trafford Tanzi Story. See Tanzi grow from nappies to netball. Watch her fall in love, discover the harsh realities of the wrestling world, invent that deadly hold the Venus Flytrap. See her use it to destroy her enemies as she climbs to the top of her profession. […] In the red corner, ladies and gentlemen: Trafford Tanzi. There she is, and she’s just toddling. She’s one year old. A baby. (TANZI falls over and goos.) In the blue corner, her opponent for Round One, her mum, a mum in a million.
Tanzi’s mum calls her daughter over and then pushes her over and sings a song about how disappointing it was to have a girl, while ‘head maring’, ‘posting’ and ‘punching’ her daughter.
The play has a wonderfully surreal quality as it plays with stereotypes, juxtaposes parental and schoolyard taunts with the world of professional wrestling and turns verbal slights into physical abuse. When Tanzi’s husband puts her down, it’s literal as well as figurative. When her Dad browbeats her, her head really does get slammed into the floor.
DAD: (Applying pressure to various ‘leg locks’) Get yourself a decent feller. One that’ll want to marry you, not fiddle about with you up them back alleys. Come on. It’s all your Mum and Dad ever wanted.
TANZI: But it would be the same as up them alleys except I’d be married. (She tries to raise her head through this next but Dad keeps slamming it back.) I don’t want to get married. (Slam.) I want me independence. (Slam.) I want a career. (Slam.) I want to be somebody! (Slam.)
DAD: Somebody! A slut, the way you’re going on. A wife is somebody, isn’t she? Are you saying your mother isn’t somebody?
The play is a strongly feminist piece about a woman finding her own strength and courage but I also liked the way it played with the highly theatrical and staged world of professional wrestling. Trafford Tanzi resonates and amuses on lots of levels.
Publisher: Methuen (in Plays by Women: Volume 2)
Cast: 3M, 3F