I found Street Rat in a book on Ethnodrama. The play was adapted by Johnny Saldaña, Susan Finley and Macklin Finley from the ethnographic research of the Finleys into young homeless people living on the streets in New Orleans in the mid 1990s.
The play uses the research, the interviewees’ words and also the poetry that Macklin Finley wrote about the experience. As a play, I found it at times didactic and a little clumsy but this is likely to be a result of trying to turn interviews into theatre without including the character of an interviewer.
When characters articulate their politics and beliefs, it comes across as answers to an outsider’s questions but is presented, unconvincingly, as dialogue between young people.
TIGGER: I know plenty of f*cking straight up prostitutes. They’re cool as hell, but that’s not something I’m going to do.
ROACH: It makes you compromise yourself. People who do it have to be comfortable with doing it. Sometimes people get caught up in it, when they aren’t comfortable doing it, but they do it anyway. That causes so many problems.
The inclusion of Macklin’s poetry worked really well in some instances but in others felt perilously close to self-indulgent. The authors saw it as a Brechtian narratorial device, and it works best when it is making comment on the action, like the following example which followed the dropping of small change at Roach’s feet.
MACK: Three pennies
a court word
tender in the
lives of men.
My response on reading Street Rat was that the poems shouldn’t all have been included in their entirety: sometimes one stanza says it all and extending is unnecessary. There were also too many poems so that, by the end of the play, I was becoming frustrated with their inclusion.
For an ethnodrama (a play that ‘consists of dramatized selections of narratives collected through interviewing and participation observation’ Denzin & Lincoln) Street Rat feels as if it has barely scratched the surface of the lives of its subjects. The poetry is real and sincere, but it is the poetry of an educated man, visiting the homeless youth, rather than being their stories.
Publisher: Altamira Press (in Ethnodrama: An anthology of reality theatre)
Cast: 5M, 4F